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That's what luminosity blend mode is for
Back in the good old days of film, unless you wanted to do some complex work with masking, you were stuck with the contrast in a color image. Today, we can change that. But a host of problems comes from that. Shooting in really flat light makes increasing contrast really important. The problem is that contrast and saturation are not mutually exclusive. Touch a curve and you change saturation. It can be really tough to control color.
Totally enjoying the B&W version. Personally, I think a vignette would be a considerable improvement.
Leica S + Summarit-S 70mm ASPH
Love this one! :thumbs:
Idaho Springs, CO
Hasselblad H4D-40/HCD 35-90mm
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Pramote
Zenfolio | Pramote Laoprasert Photography
Thanks very much Peter! PramoteFantastic image Pramote... Otherworldly!
Thank you so Much Ed! PramoteLove this one! :thumbs:
Double-plus like for that! Next time you come to Maine, I owe you a beer.That's what luminosity blend mode is for
Thank you Ed for the kind complement and great suggestion. I will take your advice for another version.Totally enjoying the B&W version. Personally, I think a vignette would be a considerable improvement.
Thanks for the positive feedback!Ed: Very nice pictures of your son! I´d like to ask how much you did you fix color noise in the picture? When I tried shooting with 645D in the past with ISO>800/1600 it was too noisy, my S2 with the same sensor suffer from high ISO noise too.
Will,Done this before, but this is new processing. Jaquish Gut and Jaquish Island from Bailey Island.
I am torn about the 645Z, maybe the future is in cameras the size and weight of the A7r with a sensor of 645 size, and maybe the future isn't so far away.I will be very interested to see what the detail, noise, DR and colour rendering are like on the 645Z compared to the 645D - at high ISO but also at ISO100 and ISO200. The jury is out but we will start to discover the answers pretty soon...