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  1. Epstar83

    Experiences with Leica L 24-90

    On the wide end I have been using the Sigma Art 14-24mm. It's a superb performer optically. Only downside is that it doesn't take filters on the front.
  2. Epstar83

    Experiences with Leica L 24-90

    Congrats! Happy shooting!
  3. Epstar83

    Experiences with Leica L 24-90

    Some samples from my copy. All with the SL2.
  4. Epstar83

    Experiences with Leica L 24-90

    Nice comparison here between the 35 & 50 APO SL's vs 24-90 Vario. It's an old video but I think his findings echo my own experiences.
  5. Epstar83

    Experiences with Leica L 24-90

    The 90-280 is on my bucket list. I have to try that lens someday!
  6. Epstar83

    Experiences with Leica L 24-90

    I've had lovely results from mine. The IQ and build quality are as you'd expect from Leica. But I bought it when it was the only real option available. Since then Sigma's 24-70 DG DN II and Leica own version of the 24-70 have been brought to market (which I think might be a rebadged Sigma...
  7. Epstar83

    Experiences with Canon EF lenses on Leica SL2 / Sigma MC-21

    The SL2 is such a versatile camera. I’ve been considering the MC-21 for use with the Canon TS-E lenses. From what I have read those lenses work well on the SL2 as well.
  8. Epstar83

    Hasselblad 100C and 35XL

    Add to this list the Rodenstock Digaron-S 23mm As already pointed out, Hasselblad are under no obligation to fix these issues. But it seems a relatively straightforward tool to add to Phocus. Being responsive to customer requests enhances the value of their products and goes a long way to...
  9. Epstar83

    Panasonic Lumix S1RII - new future for FF

    Some lovely samples Carl. Curious if you have had an opportunity to try wide angle M lenses on the S1R II yet?
  10. Epstar83

    Darkroom ventilation query

    Yeah, it's eco friendly but doesn't smell great.
  11. Epstar83

    Architecture photography - a proposition for the GFX 100RF

    It's an awesome way to breath life into old Mamiya 7 lenses for anyone who already has that system. I see B&H sell an adapter that allows use on the GFX too. Presumably that wouldn't require any modification.
  12. Epstar83

    Architecture photography - a proposition for the GFX 100RF

    That looks like a very cool setup Rob. Do the Mamiya lenses need much work in post like an LCC etc? Apologies if this has been discussed elsewhere, I haven't seen a setup like that before and was curious.
  13. Epstar83

    Architecture photography - a proposition for the GFX 100RF

    If Fuji developed a WCL (similar to the the one available for the X100 series) attachment to add to the GFX 100 RF to make it a 28 or 25mm equivalent I could see it being an even more compelling option for walk around architecture. It would feel quite similar to a Leica M with SEM 21mm...
  14. Epstar83

    Architecture photography - a proposition for the GFX 100RF

    There is value in both approaches. Best is if Fuji would offer both of these features. I don’t think it’s a scenario where one feature must prevail over the other. To my mind visualizing a cropped image from a leveled camera is easier than visualizing the keystone correction from a tilted...
  15. Epstar83

    Architecture photography - a proposition for the GFX 100RF

    Actually this thread just reminded me, much of the comparisons we have been discussing have been covered by Sean Reid of reidreviews.com His website is subscription based but the fee is modest. Out of respect for Sean’s subscription system I will refrain from copy pasting any of his content...
  16. Epstar83

    Architecture photography - a proposition for the GFX 100RF

    If the camera offers both tools, can't the photographer make frames using both methods and simply print the one that looks the best after post production is done?
  17. Epstar83

    Architecture photography - a proposition for the GFX 100RF

    I think the lens resolution / MP count discussion is rather fruitless. In the end of the day all of these cameras have very high resolution sensors and excellent lenses. What is more relevant is which camera get's us from concept / visualisation to a finished image in the most enjoyable /...
  18. Epstar83

    Architecture photography - a proposition for the GFX 100RF

    Too some degree you're right. Perspective correction is simply a convenient way of previewing what will eventually be contained within the corrected image. There are some benefits to doing it that way on the SL2 in particular. You can temporarily view the composition with perspective control...
  19. Epstar83

    Pixii Max

    Pixii Max | Voigtlander Color Skopar 35mm f/3.5 | Capture 1
  20. Epstar83

    Pixii Max

    Pixii Max | Voigtlander Color Skopar 35mm f/3.5 | Capture 1
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