MGrayson
Subscriber and Workshop Member
This is excellent advice in theory. In practice, though, there is an overlap between the equipment and the craft. Even a seasoned professional who CAN produce excellent work with any equipment still has likes and dislikes and workflow that suits them best. I've had cameras that jumped out of my hand, I hated holding them so much. I've always regretted overriding that feeling and going with the "head". Other cameras I pick up and they stick like glue.First I believe you need to be very honest with yourself about what moves / motivates you: toys or taking images. What is your main driving factor in this equatuin ? If it’s toys, by all means get the x2d and xcd glass, or even better the 150 Phase with Rodenstock lenses. But. if you are primarily interested in being an image creator, and your output medium doesn’t require 100-150 MP (basically you don’t print huge at gallery viewing standards), 35mm has everyhthing you need in terms of lens options, sensors, aesthetics and functionality to allow you to achieve any image you can dream of. And you should focus your money on photography, not gear: photography trips, studio rental, casting, make-up, hair, props, lights etc.
My 2 cents.
It doesn't always work out perfectly over time, but for the sake of the craft, I believe it pays to get what you like, and not just what you need.
Matt
BTW, I remember vividly the first time I took a picture that I liked more than the camera taking it, which I think is your point. But even if the images are MORE important, that doesn't make the equipment unimportant.
The image in question. Leica Q

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