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I tried a Pixii for a month back in Spring 2022. I ultimately found it to have too many issues (key of which was that I'd often need to carry 3 or 4 batteries for a single photo walk, and the shutter activation no matter how I configured sound or tactile notifications made it very difficult to know for sure when I'd actually made an exposure...) and returned it, but it convinced me that I really really wanted a monochrome camera. Once the Pixii was returned, I bought one of the last Leica M10 Monochrom cameras available new from my dealer.
By comparison, the M10-M just works and lasts for several of my shooting sessions on a single charge of its battery (typically 600-800 exposures per charge in normal use), and its haptics are just right. It has just a bit more dynamic range at the limit and just a bit more resolution at the limit, and of course it is full frame vs my Pixii's APS-C format which nets more DoF control with a less "exotic" range of focal lengths. I liked it so much that after four months, I hunted up a nice, clean M10-R and sold my Leica CL so that I'd have a color camera identical in all other respects to the M10-M to work with. These are now my primary shooting tools and displace my other digital cameras for most purposes, including the Hasselblad 907x/CFVII 50c (which I keep along with the rest of the V system for sentimental reasons mostly, and because there are certain situations where the larger sensor—and access to 6x6 format on film!—still has an advantage).
I hope that the Pixii Max and later developments of the Pixii firmware have overcome some of the more egregious annoyances of my 2022 Pixii. The folks at Pixii all seemed to be trying hard to produce a quality camera; the issues that I ran into point to how complex and difficult it can be to do that for a broad customer base. Very small and seemingly insignificant things can make or break an otherwise excellent design for a lot of individuals.
G