dougpeterson
Workshop Member
The answer is simpler than most are making it.
Given that the print is both very large and will be viewed from fairly close up, you’d want more than is practically possible, and don’t need more than you have, but will benefit from whatever more you can get, so you should use the most you practically can.
Buy or rent the highest res camera you can reasonably justify based on what you’re being paid, and if the scene is condusive to stitching then stitch as many frames as you can without unduly sacrificing the artistic/compositional/production workflow. If it’s not condusive to stitching then use a single shot.
An IQ4 150mp is the obvious choice if the budget allows.
Given that the print is both very large and will be viewed from fairly close up, you’d want more than is practically possible, and don’t need more than you have, but will benefit from whatever more you can get, so you should use the most you practically can.
Buy or rent the highest res camera you can reasonably justify based on what you’re being paid, and if the scene is condusive to stitching then stitch as many frames as you can without unduly sacrificing the artistic/compositional/production workflow. If it’s not condusive to stitching then use a single shot.
An IQ4 150mp is the obvious choice if the budget allows.