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Fun with MF images 2025
- Thread starter drevil
- Start date
John Leathwick
Well-known member
Another from the high ridges of Banks Peninsula, New Zealand - the stump of a once-grand totara, burned and fallen in the pursuit of pastoral farming. GFX 100S/F-Universalis/S-K Apo-Digitar 35mm L-88.
-John
-John
drunkenspyder
Well-known member
Heading back to Yosemite this weekend. From one of the recent trips.
P1 XT | IQ4.150 | Rodie 70
This is me, let all the cameras gathering dusts and just chilled.
Matt
Ed Hurst
Well-known member
While shooting the star trail image above at Sydney Observatory, I had expected the clear skies to last until about 3am. I took my time capturing the files required for the sky, all the time expecting that there was no rush. I finished those files at about 1.15am and suddenly, at the exact moment I stopped, clouds rolled in, well ahead of schedule. I was extremely lucky to get the star shots in. Not only that, but the clouds made interesting patterns; an image worth having as a shot in its own right.
GFX100S with Laowa 20mm
SceneFromFiles7720-7724_DxO_Step9VERSION1_sRGBSMALL by Ed Hurst, on Flickr
I then decided to get creative and add a fog effect in the upper part of the image. A bit of fun really!
SceneFromFiles7720-7724_DxO_Step11VERSION2_sRGBSMALL by Ed Hurst, on Flickr
GFX100S with Laowa 20mm
SceneFromFiles7720-7724_DxO_Step9VERSION1_sRGBSMALL by Ed Hurst, on FlickrI then decided to get creative and add a fog effect in the upper part of the image. A bit of fun really!
SceneFromFiles7720-7724_DxO_Step11VERSION2_sRGBSMALL by Ed Hurst, on FlickrLightCatcher
Well-known member
Lena
Leica S 2 + Summarit S 2,5/70
LightCatcher
Well-known member
Leica S 2 + Summarit S 2,5/70
LightCatcher
Well-known member
Leica S 2 + Pentax 67 2,4/105
tenmangu81
Well-known member
Bordeaux (France), Porte Cailheau (end of 15th century)
Hasselblad X1D II + XCD45P
mristuccia
Well-known member
Just a test shot with my recently acquired SK 24XL while I was waiting my wife to take a medical examination in this interesting U-shaped building.
Colors are al little bit off/crossed on purpose, as the natural light was really flat and boring and I tried to make the image a little bit more attractive.
This is with 3mm lens rise. Overall a really sharp lens, even at the corners. The rendering of those rectilinear lenses have something to them that I like a lot.
Unfortunately, as we know, not that much shiftable. I needed a very wide angle lens at a reasonable price for some interior works. Even the 5-6mm of shift I can get out of it will help.
Cambo Wide DS Digital | CFV-100c | SK 24XL | 3mm lens rise
Then I moved further back and took another shot with the 35XL:
Cambo Wide DS Digital | CFV-100c | SK 35XL | 6mm lens rise
As a side note, I need to remember to avoid extreme ETTR when when I intend to apply the LCC, as its application tends to blow highlights like happened (almost) in these test-shots.
Colors are al little bit off/crossed on purpose, as the natural light was really flat and boring and I tried to make the image a little bit more attractive.
This is with 3mm lens rise. Overall a really sharp lens, even at the corners. The rendering of those rectilinear lenses have something to them that I like a lot.
Unfortunately, as we know, not that much shiftable. I needed a very wide angle lens at a reasonable price for some interior works. Even the 5-6mm of shift I can get out of it will help.
Cambo Wide DS Digital | CFV-100c | SK 24XL | 3mm lens rise
Then I moved further back and took another shot with the 35XL:
Cambo Wide DS Digital | CFV-100c | SK 35XL | 6mm lens rise
As a side note, I need to remember to avoid extreme ETTR when when I intend to apply the LCC, as its application tends to blow highlights like happened (almost) in these test-shots.
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