The GetDPI Photography Forum
Great to see you here. Join our insightful photographic forum today and start tapping into a huge wealth of photographic knowledge. Completing our simple registration process will allow you to gain access to exclusive content, add your own topics and posts, share your work and connect with other members through your own private inbox! And don’t forget to say hi!
Behind the scenes
- Thread starter danlindberg
- Start date
MGrayson
Subscriber and Workshop Member
Behind *and* in Front of the Scenes.ALPA really can't be used for many things* : )
hand-held multiple exposures ...*
Phase One IQ3 100MP Achro | alpa-swiss SWA 12 | sk 35mm
lookbook
Well-known member
.. right!Behind *and* in Front of the Scenes.
i didn't want to open a separate thread for this -
I hope you'll forgive me
: )
rdeloe
Well-known member
I've done that with all the mirrors in my house because the view is much better when I'm standing in front of it.
In my case it's better to keep behind the mirrors and scenes.
GeorgeBo
Well-known member
I posted this first image in the Large Format Gear thread and thought I would post a behind the scenes here.
I received this Pacemaker Speed Graphic from a camera club friend of mine who acquired some old gear. This thing was in bad shape and was going to be thrown away. So with some elbow grease and paint and, lube and ... here it is.
I shot this with a weird combination, because I have a soft spot for old stuff that has been set aside. The gear used was a CFV 100C (ok that is not the old stuff part), with Cambo Actus and a Nikkor H·C 75mm f/2.8 for Bronica medium format lens. Bronica made a bellows attachment with movement for their S cameras so maybe the lens had that taken into context when designed?? So I figure what the hack. I made a Bronica S mount adapter out of a spare Cambo Actus lens board and here we are.
Use what you have or can make right?
Oh yeah don't make fun of my light on the right. It works LOL
George
I received this Pacemaker Speed Graphic from a camera club friend of mine who acquired some old gear. This thing was in bad shape and was going to be thrown away. So with some elbow grease and paint and, lube and ... here it is.
I shot this with a weird combination, because I have a soft spot for old stuff that has been set aside. The gear used was a CFV 100C (ok that is not the old stuff part), with Cambo Actus and a Nikkor H·C 75mm f/2.8 for Bronica medium format lens. Bronica made a bellows attachment with movement for their S cameras so maybe the lens had that taken into context when designed?? So I figure what the hack. I made a Bronica S mount adapter out of a spare Cambo Actus lens board and here we are.
Use what you have or can make right?
Oh yeah don't make fun of my light on the right. It works LOL
George
MGrayson
Subscriber and Workshop Member
Was the second image taken with the Speed Graphic?
rdeloe
Well-known member
This is another one from my current Crawford Lake project. The lake is unusual because it is meromictic (so two lakes in one hole because the top and bottom layers of water never mix). The lake is nestled in a Conservation Halton (CH) conservation areas, and surrounded by a nice boardwalk that lets people who aren't used to hiking get closer to nature.
My project with CH involves making photographs that support the work they're doing. The lake itself is a defining feature of the site, but equally important is the geology (limestone) and the vegetation (a mixed coniferous and deciduous forest, with lots of eastern white cedar).
I really like eastern white cedar because they don't take no for an answer. When they can't grow up to the sky like normal trees, they pull crazy stunts like this: growing off a cliff and down into the lake.
You can't see this tree from the boardwalk, and users of the area are supposed to stay on the boardwalk and paths. But if you have a research permit and an orange High Viz vest, you can go anywhere!
One challenge in making this scene was finding a place to position the camera. It's a cliff, so I had to jam one leg of the tripod between two trees, place one on solid ground, and leave the third one floating. I had to lean out over the cliff edge and hold on with left hand while operating all the controls with right hand.
A second challenge was an older gentleman and his wife who stopped to chat... while I was hanging over the side of the cliff. I was treated to a lengthy history of his personal connections to Crawford Lake. Nothing says "I'm working here" like a High Viz vest, but it didn't do the trick this time.
I used my Mamiya G 50mm f/4 L on my F-Universalis with GFX. I needed swing to get the plane of focus just right. I used the f/13 image even though it gives up a bit of detail to diffraction because I wanted all the elements of the trunk in focus.
My project with CH involves making photographs that support the work they're doing. The lake itself is a defining feature of the site, but equally important is the geology (limestone) and the vegetation (a mixed coniferous and deciduous forest, with lots of eastern white cedar).
I really like eastern white cedar because they don't take no for an answer. When they can't grow up to the sky like normal trees, they pull crazy stunts like this: growing off a cliff and down into the lake.
You can't see this tree from the boardwalk, and users of the area are supposed to stay on the boardwalk and paths. But if you have a research permit and an orange High Viz vest, you can go anywhere!
One challenge in making this scene was finding a place to position the camera. It's a cliff, so I had to jam one leg of the tripod between two trees, place one on solid ground, and leave the third one floating. I had to lean out over the cliff edge and hold on with left hand while operating all the controls with right hand.
A second challenge was an older gentleman and his wife who stopped to chat... while I was hanging over the side of the cliff. I was treated to a lengthy history of his personal connections to Crawford Lake. Nothing says "I'm working here" like a High Viz vest, but it didn't do the trick this time.
I used my Mamiya G 50mm f/4 L on my F-Universalis with GFX. I needed swing to get the plane of focus just right. I used the f/13 image even though it gives up a bit of detail to diffraction because I wanted all the elements of the trunk in focus.
rdeloe
Well-known member
Insurance company? I wish! If that thing went over the edge, the University has a $10,000 deductible on coverage for loss of equipment.Well, you better not tell your insurance company ...
Having said that, I am going to pack some "insurance" in the form of a tether I can attach so that if I'm in a place where things are a bit tippy, at least I'll have a safety line to hold the tripod and camera.
MGrayson
Subscriber and Workshop Member
They don’t cover anything over f/11?Well, you better not tell your insurance company ...
Knorp
Well-known member
Excellent measure - at least that way you'll go down together with your equipment ...
rdeloe
Well-known member
Not quite. The tether is for the equipment. I go over the cliff! The main reason I have to wear that orange vest is so it's easier for them to find the body.Excellent measure - at least that way you'll go down together with your equipment ...