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Fun with MF images 2024

MGrayson

Subscriber and Workshop Member
Not a new composition, but you can't photograph the same skyline twice, as the saying goes. I was trying the new Hasselblad XCD 25/2.5V lens to see if it could replace the Leica S24/3.5 as favorite if-you're-going-to take-one-lens item. Seems like it.

X2D, XCD 25/2.5 @ f/8. XPan crop. Flat light. Green lawn.


Matt
 

jng

Well-known member
Not a new composition, but you can't photograph the same skyline twice, as the saying goes. I was trying the new Hasselblad XCD 25/2.5V lens to see if it could replace the Leica S24/3.5 as favorite if-you're-going-to take-one-lens item. Seems like it.

X2D, XCD 25/2.5 @ f/8. XPan crop. Flat light. Green lawn.


Matt
Cool! I don't think you've shown Central Park and the (silly matchstick) buildings beyond from this perspective before. Also nothing to complain about in terms of the XCD25V's performance - seems like a keeper to me!

John
 
Not a new composition, but you can't photograph the same skyline twice, as the saying goes. I was trying the new Hasselblad XCD 25/2.5V lens to see if it could replace the Leica S24/3.5 as favorite if-you're-going-to take-one-lens item. Seems like it.

X2D, XCD 25/2.5 @ f/8. XPan crop. Flat light. Green lawn.


Matt
Thanks for showing us what the lens can do:)
 
Cool! I don't think you've shown Central Park and the (silly matchstick) buildings beyond from this perspective before. Also nothing to complain about in terms of the XCD25V's performance - seems like a keeper to me!

John
Yes, the lens performed well. I agree with you about the matchstick buildings. Hope that they can survive the storms to come.
 

rdeloe

Well-known member
Third and final version. I find this one the most satisfying, any thoughts?
Seawall #3, Northumberland...
GFX100s, GF32-64mm f4


Seeing that you asked for thoughts... ;) The mass of black rock at bottom right pulls the eye like a magnet, but when the eye gets there, there's no reward for making the journey. I find it hard to look at the rest of the image because of that big, dark mass.

This is an image that works much better, I believe, with this crop. My eye still wants to go to the bottom-right corner because it's brighter, but from there I noticed that I went back into the picture and followed the bright shoreline of the distance, and then roamed around in the soft textures and tones of the sea in different places in the image.

Alan's picture cropped.jpg

As always, I have to qualify that I don't know what you were trying to say with your image. It may be that your whole point was to create tension between the dark mass in the foreground and the softness of the sea, in which case my suggestion should go into the dustbin because it's not what you wanted to do!
 
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PeterA

Well-known member
@AlanS I agree with ditching the black rocks for composiitional reasons put forward above - but I also much prefer the colour version of the image.
 
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