danlindberg
Well-known member
Zeroed the SuperDigitar 28 XL is razorsharp including edges on fullsize 60mp back. (Note that I have a perfectly calibrated lens for infinity and a perfectly shimmed placement of my back.) Virtually no visible distortion, I have never corrected for distortion and I shoot plenty of horizonlines over the ocean and architecture. Workable from f5.6-f11, at f16 diffraction kicks in.... but there are still users that use them, Dan Lindberg on this forum use it with his Credo 60, you could possibly ask him about shooting techniques. I would guess not shifting too much is the key.
What I do not like and actually is my main concern many times is that it vignettes heavily. The big centrefilter does take away a slight amount of resolution (albeit negliable) but more importantly it steals two full stops and is bulky. Other than that I simply love it and have printed very large prints with excellent results across the image. Several 2 metres wide canvases that have impressed a few knowledgable people...
When it comes to shifting, with my combination, I can shift 7-8 mm on the long side, LCC clears up problems nicely with this amount of shift. If you need more shifts then it is better to keystone the rest in post! I do not have possibility for tilt with this lens so this I cannot comment upon.
By the way, as a bonus it is really surprisingly good at closeups and gives the option of dramatic perspectives.
I know that there are more than one that says the lens is useless (agree fully that it is not usable on 80mp backs) but I have a couple of hundred of technically superb images on my harddrives. It still amazes me the amount of detail and incredible resolving power it has. I'm a very happy camper and do not lust for the 'other one'....
Just to show how well it plays with my combo I took a screenshot of a raw file as it turns up in C1. Nothing done at all, no LCC applied, no vignette compensation, no nothing....