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Technical Camera Images

R

rga

Member
One more from the weekend. Feeding my on-going addiction with benches.
Alpa MAX, T/S, 80mm APO, 3 horizontal stitches.

 
GrahamWelland

GrahamWelland

Subscriber & Workshop Member
dchew said:
I keep going for the sk150; Really love that lens.

Dave

Two-stitch shift pano with the sk150, 18mm each way:
Click to expand...
:thumbs: I REALLY like this. It says Alaska to me. I'm often drawn to panoramics and this is very well done IMHO.

(btw, very partial to that same 150 SK lens myself. It's a staple in my arsenal and I can completely understand why you like it)
 
dchew

dchew

Well-known member
GrahamWelland said:
:thumbs: I REALLY like this. It says Alaska to me. I'm often drawn to panoramics and this is very well done IMHO.

(btw, very partial to that same 150 SK lens myself. It's a staple in my arsenal and I can completely understand why you like it)
Click to expand...
Thanks Graham! That photo was about mile 14. I was skiing with my brother and one other guy, so not only was I dead tired but was also conscious of how long it takes to shoot. It is tough for me to muster the will to photograph in a situation like that (or as Galen Rowell used to say, it's the size of the rat).

So I was very happy to come away with a successful image. :)

Dave
 
rayyen

rayyen

Member
Alpa 12SWA
Schneider Digitar 47mm XL
Phase One P45+

F11, 6sec, iso50, CPL, HGND 0.9
Rise 5mm, 3 stitch into 1 shot

 
jotloob

jotloob

Subscriber Member
A great image , Dan . :thumbs: Thanks for posting .
But . . . . . the other side of the coin is , as we had and still have plenty of snow . I can't see snow any more . But that is the same every year around this time . :salute:
 
jerryreed

jerryreed

New member
I am enviously wondering if others see Dan Lindberg's poetry as I do. For me, the element that supports each of Dan's work is a refined sense of including only what is necessary to communicate the mood, speaking only in terms of what the image is "about", while strenuously limiting what the image is "of".

In Dan's most recent color* images, I am noting that the hues are limited to only one; blue in one landscape, red in the small structure and finally yellow in the earth moving equipment. I enjoy so much Dan's work and wish to learn from it, I am asking here if what I am seeing that is so ennobling is being seen by others, or am I just trying too hard to distill principles for my own use that are Dan's magic, and non-reproducible.

*I work only in B&W, because I am a horrible color photographer. Color overwhelms me, and I cannot find the forms that I need to create a composition that is in any way satisfying. I am hoping that maybe if others are seeing the same thing, that maybe a baby step forward is to limit my palette to single hues of a pastel intensity.

Jerry
 
W

wentbackward

Member
Jerry, I'm a big fan of Dans work. I find his images are varied, but his style is very refined simplicity. He's a visual equivalent of a master musician, that makes it all seem so easy.
 
danlindberg

danlindberg

Well-known member
jerryreed said:
I am enviously wondering if others see Dan Lindberg's poetry as I do. For me, the element that supports each of Dan's work is a refined sense of including only what is necessary to communicate the mood, speaking only in terms of what the image is "about", while strenuously limiting what the image is "of".

In Dan's most recent color* images, I am noting that the hues are limited to only one; blue in one landscape, red in the small structure and finally yellow in the earth moving equipment. I enjoy so much Dan's work and wish to learn from it, I am asking here if what I am seeing that is so ennobling is being seen by others, or am I just trying too hard to distill principles for my own use that are Dan's magic, and non-reproducible.

*I work only in B&W, because I am a horrible color photographer. Color overwhelms me, and I cannot find the forms that I need to create a composition that is in any way satisfying. I am hoping that maybe if others are seeing the same thing, that maybe a baby step forward is to limit my palette to single hues of a pastel intensity.

Jerry
Click to expand...
Thank you very much indeed Jerry! And to the rest of you guys who have all positive comments. I'm glad that I can inspire with my images. There's a lifelong dedication to photography that lies behind my images today.

I do agree that often my images are minimalistic in style and exclude objects/colours more often than include the same. This thinking I have had for long long time and just to show that I post here an image that is 15 years old. Few 'things' happening in the image but still tells a story.



Anyway, I am truly happy with the consistant great response from many forum members. :thumbs:
 
S

shortpballer

Active member
Bob,
I use 1,2 and sometimes 3. When I use 2 it is one on the front and one on the back. When I use 3, I use 17mm on the front, 34mm & 17mm on the back.

Hope this helps :)

Eric

rga said:
Hi Eric,
How do you use 2 T/S on the MAX? One on the front and one on the back of the camera body?
Thanks for any info you can give,
Bob
Click to expand...
 
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